Пък такава функция не може извън множествен функционал да бъде уточнена без timing, "Божието сетиво". Гениална илюстрация на множествения функционал е Фаустовата симфония на Лист.
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"Liszt's magnum opus, 'A Faust Symphony in Three Character Sketches after Goethe', presents itself as a musical portrayal of three distinct characters: Faust, the striving
and tormented intellectual; Gretchen, the embodiment of innocent feminine purity;
and Mephistopheles, the mocking and corrupting devil. The three characters are not merely external entities interacting on a narrative plane, but instead serving as psychological projections, manifestations of internal states within Liszt's mind,
where Faust embodies overwhelming ambition, Gretchen symbolizes unattainable ideals, and Mephistopheles represents inherent self-destructive impulses. So, bearing in mind the fact that this symphony contains probably the finest thematic transformation ever written, it's worth viewing it through its themes rather than a purely structural analysis... Theme 5: with some bombast and kitsch to mock Faust's delusions of grandeur, portraying his worldly triumphs as hollow and superficial - this is satirical commentary on Faust's spiritual emptiness."
Publ. Andrei Cristian Anghel, Aug 5, 2025, YouTube (link).
Liszt, "A Faust Symphony
in Three Character Sketches after Goethe":
"Faust";
"Gretchen";
"Mephistopheles (and Chorus Mysticus)".
Leonard Bernstein, Boston Symphony Orchestra;
Symphony Hall, Boston, 1976-07-27.
75 min audio:
